I’m so pleased that Queenie, my late 98-year old neighbor, offered to read my poem “Likenesses” with her daughter.
“Likenesses” is about family portraits hung in stairwells and hallways, and how the profiles of old silhouettes seem to stare at the back of each other’s heads. Daughters often become mothers, and new portraits appear in front of them on the picture walls.
This chronological view of mothers and daughters – the older ones just anonymous silhouettes – struck a chord with me.
Likenesses
Old by association,
my silhouette is pinned
with fixed focus.
Near me, a woman cut
from 1863.
My profile will be cut
in line by each birth, females
pushing us back
a generation
on the picture wall.
In hallways and stairways
I’ll stare at my daughters’ heads
framed inches away.
I’ll know their napes like my name.
I’ll stare at the facing frame
but daughters turn
into mothers,
forward-spilling.
Ada, my thrice-mother,
forebears my short memory.
To me, she is Eve.
Behind her, anonymity.
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If you like this poem, read another poem about anonymity.